What Bad Writing Looks Like … and How to Fix It [With Detailed Examples]
A few weeks ago, on Amazon, an odd-looking book popped up as a recommendation for me. It was this one:
I was a bit surprised to see fanfiction being sold on Amazon – particularly being promoted to me (however unwittingly) by Amazon.
So I took a look.
Before I go any further, I’ll say that I’ve read a fair amount of fanfiction in my time, and there’s plenty of brilliant, professional-quality work out there. I don’t want anything I write in this post to come across as a criticism of fanfiction, or fan writers, at all.
Sadly, this novel leaves quite a lot to be desired.
A glance at the reviews suggests problems:
“Writing a book based on a beloved series takes real guts, and though the story line is admittedly fragmented, the author has them. I struggled continuously against the variety of confusing story lines, wording errors, the writing that often reminded me of a local role playing game plot, and a general feeling of “WTF?”” (from a review by Gayle Chamberlain, Book BeWitched)
“The constant bad grammar, and poor choice and usage of words, made this book virtually unreadable, and the storyline was so farfetched, that I almost gave up on it. I only slogged through it so I could warn others about it.” (from a review by adriftatc)
And, if you take a peek inside, you can instantly see that the writing (and story-telling) leaves a fair amount to be desired.
I’m going to go through the first few pages and break down the various problems with the prose … and then give a suggested new version.
I’m a little hesitant about doing this, because I don’t want to pick on any author, at any level – but I feel that if a book is up for sale on Amazon, then it’s fair game for feedback. Also, I’m not too keen on seeing fanfiction being sold for profit in this way (though I’m all for non-profit fanfiction).
(I did wonder whether Steve Jacobs, the author, might be fairly young – early teens, perhaps – but I wasn’t able to find any biographical information about him.)
Screenshots are taken from the free sample available on the ebook’s Amazon page:
On a positive note, I like the dialogue here. It’s brief and snappy, and seems in character (“I think it’s time to go” from Hermione and “Mate…your wand?” from Ron, who’s named in the next sentence).
But … there are already some issues emerging.
Chapter Title: Although it’s a minor thing, the title “The Black Lake,” followed by “Prologue”, followed by “The Black Lake” again seems overkill. The very first words of your novel are vital (even if the ones that consist of chapter titles or scene-setting).
Distractingly Weird Phrasing: “This sudden exchange of human flesh to fabric” makes it sound like someone’s flesh has turned into fabric (not necessarily an impossibility in the Harry Potter world)! I instantly have the impression that the author is trying too hard to be “literary”.
Awkward Use of Pronouns: “his fingers muscles relaxed to drop Harry’s newly repaired wand” – this would sound better as “his” wand. Also, you can take it as a given that the reader knows how things are dropped – “his finger muscles relaxed” is unnecessary.
Slightly too Many Adjectives and Adverbs: “Harry’s newly repaired wand” “dully clatter”, “pebbled bank”. I’m okay with “newly repaired”, which seems to add useful information, and “pebbled”; I’m not convinced that “dully clatter” is necessary. (I’ll come onto more instances of too many adjectives in the next few paragraphs.) Again, the impression I get is of an author trying a bit too hard.
Repeated Word: “weak, supportive smile” and “croaked weakly”. (Especially as “weakly” isn’t really necessary in the second case.)
Poor Dialogue Tag: “Harry croaked weakly in reply.” I think “croaked” is too unusual and possibly even slightly unintentionally comic. I’d also cut “in reply” – it’s clear that he’s answering Hermione.
Onto the next passage:
Too Much Detail: In the first paragraph, the author seems to be struggling a bit to concisely show us what’s happening. (I sympathise, because I always have trouble with scenes where several characters need to move about.) Things are being spelt out in painstaking detail, and the whole paragraph would read better if it was cut down considerably. (You can read my version at the end of this post.)
Use of “The X” instead of Character Name: Here, Ron is described as “the teenager”. This sounds awkward because we’re in Harry’s viewpoint, and Harry presumably thinks of Ron as “Ron”. The author is trying to avoid repeating “Ron” too often – but character names are one of the few things you can and should repeat; don’t keep stretching for odd variations. I often see “the man” or “the woman” used in this way, and (assuming the viewpoint character knows the person’s name), it invariably feels clunky.
Wavering Point of View: This passage is in Harry’s head (third person limited), but with “Ron and Hermione soon decided”, we seem to have slipped a little into their thoughts. Yes, Harry could assume that they’ve “decided” (rather than, say, sat down without even thinking about it). It’d be better, though, to simply write: “Ron and Hermione sat down either side of him”.
Too Many Adjectives and Adverbs (again): In the space of three lines, we get: twinkly blue eyes … half-moon spectacles … kindly smile … nodding slowly … elongated gaze. It sounds awkward and overdone.
Weird Characterisation: Why are Ron and Hermione giving “cries” here? To bring Harry out of this odd stupor? We’ve had no sense of impending danger, so does it even matter if Harry has zoned out for a moment?
Poor Sentence Construction: The final sentence of the paragraph doesn’t quite work alone: I can see what the author’s getting at, but I’d personally rewrite it, join it to the previous sentence, and break it up differently. (Again, you’ll see my version at the end of this blog post.)
Here’s the next paragraph…
Excessively Long Paragraph: This paragraph is way too long. I couldn’t even fit it all on my screen to get it in one screenshot. There is, quite honestly, absolutely no reason to have a paragraph this long in anything other than experimental literary fiction (think James Joyce). This paragraph could easily be broken up – and it would be far more readable as a result.
Too Much Exposition: I realise the author is trying to help us catch up on what’s happened, and a reminder is good, but this slows down the story to a glacial pace. Yes, I realise Harry is imagining what awaits him when he goes back to the Great Hall – but this could all be got across far more succinctly.
Overly Formal Phrasing: Phrases like “Finally, it was definite that” sound strangely formal – as though this is a business report rather than a novel.
Strange Authorial Voice: These sentences read particularly oddly, to me: “All the attention that was waiting for him in the school would send most people wild with glory and pride, making them feel like the greatest person in the whole world. This would be in any kind of situation apart from the one that had happened on May the second, nineteen ninety eight.” They don’t feel right for Harry’s point of view – the sentiments are, perhaps, but not the way they are phrased. The spelling out of the date is also odd: “May 2nd, 1998” would be fine here.
Lack of Parallel Structure: The verbs in a sentence need to match one another. “All he was interested in at that moment was saying his final goodbye to Dumbledore and to see Ginny” – instead of “to see” this should be “seeing”. (If you’re not sure why, take out the middle part: “All he was interested in at that moment was … to see Ginny”. It doesn’t work, grammatically.)
Inconsistent Punctuation: “Headmaster” is correct; “head-master” is not. Even if the author is keen to use the form “head-master”, it should be used consistently.
Sentence cut off: “a hint of sympathy in his eyes as he” – as he what? This suggests the book is really in need of an editor; a glance at the same work on fanfiction.net shows that it’s been basically copied onto Amazon verbatim.
Of course, no piece of writing is irredeemable. There is some good stuff in this first few pages, often getting a little swamped in a sea of words. In particular:
The author has written a whole book, which is more than many writers ever manage. Frankly, I think a written book – whatever the quality, and whatever stage of the drafting process it’s at – trumps an unwritten book any day!
There are some good insights into Harry’s thoughts. Of course he’ll want to be with Ginny, after a year apart. It makes sense he’s torn between saying goodbye to Dumbledore and returning to Ginny. And it’s understandable (and an echo, I think, of his Triwizard tournament challenge) that he is not at all relishing the idea of facing an adoring crowd right now.
Here’s how I’d rewrite it. I’ve tried to preserve everything that happens so my edits are primarily changes to sentences and phrases, plus a number of cuts to remove extraneous details. I wouldn’t say this is perfect – but hopefully you’ll agree with me that it’s an improvement!
The Black Lake
Harry Potter, who’d been mulling over the night’s events, stirred at a tap to his shoulder. His wand dropped from his fingers and clattered down the pebble bank of the shore. When he turned, he saw Hermione.
She gave a weak, supportive smile. “I think it’s time to go.”
“Mate.” It was Ron. “Your wand?”
Harry trudged down the bank, picking up his wand before collapsing onto the ground and dropping his head into his hands. Ron and Hermione sat down either side of him as he looked slowly out at the shore.
Dumbledore caught his gaze … and now Harry couldn’t bear to leave. He couldn’t let Dumbledore be alone. Dumbledore – in his frame – gazed intently at Harry, then gave a kindly smile before nodding slowly. Absorbed by his gaze, Harry was unaware, for a moment, of Ron and Hermione either side of him.
He had saved the wizarding world – and the people dearest to him – from Lord Voldemort for the last time. Right now, the Great Hall would be full of people waiting for him: his teachers, fellow students and their parents, the remaining members of the Order of the Phoenix.
But here, at the lake, everything was quiet and still.
In the Hall, they’d be waiting to celebrate. Healers would already be tending to the injured; Ministry of Magic officials would have come from London to arrest the surviving followers of Voldemort. Everyone would want to congratulate him, to thank him. There’d be journalists, too; Daily Prophet reporters eager for the first interview, the first photograph.
Perhaps the idea of fame and attention would fill most seventeen-year-olds with excitement. But not Harry. Not after everything that had happened.
All he cared about was saying his final goodbye to Dumbledore … and seeing Ginny.
She’d be waiting for him, too. He was desperate to see her properly for the first time in nearly a year. He wanted to hold her. Kiss her. Listen to her.
But right now, Dumbledore was more important. Dumbledore, who was still smiling, gently, as though he knew what’d been going through Harry’s mind.
Harry picked up his wand and held it tight. He pushed himself onto his feet and limped towards the portrait. When he was face-to-face with it, Dumbledore’s smile faded and his expression became more serious.
As I said above, I’m impressed by anyone who’s finished a novel. This one comes across as a first draft in need of a fairly thorough rewrite – and there’s no shame in that.
If you’ve got a draft at a similar stage, look out for some of the errors I’ve mentioned (too many adjectives, awkward phrasings, viewpoint slips) … and if you’re planning to self-publish, get an editor or at least a beta-reader to go through the manuscript thoroughly first!
Do you have a particular bugbear when it comes to writing style? Is there an error or stylistic twitch that has you putting a book down instantly – or hurling it across the room? Share your thoughts in the comments below.
I’m Ali Luke, and I live in Leeds in the UK with my husband and two children.
Aliventures is where I help you master the art, craft and business of writing.
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